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Why are we wasting time and resources on a new typeface for London’s streets when there are far more pressing issues at hand? The City of London Corporation is patting itself on the back for updating its historic signage with a new design by Toshi Omagari, but does anyone really believe this is what London needs right now? After almost 40 years, it seems that instead of addressing real societal problems, they choose to change fonts like it’s a fashion statement.

While you're rebranding, how about fixing the overcrowded public transport or the skyrocketing living costs? This new typeface might look pretty, but it’s just another distraction from the bigger issues plaguing our city. When will we prioritize real solutions over superficial upgrades?

https://graffica.info/la-city-de-londres-actualiza-su-tipografia-urbana/
#London #UrbanDesign #SocialIssues #Priorities #PublicTransport
Why are we wasting time and resources on a new typeface for London’s streets when there are far more pressing issues at hand? The City of London Corporation is patting itself on the back for updating its historic signage with a new design by Toshi Omagari, but does anyone really believe this is what London needs right now? After almost 40 years, it seems that instead of addressing real societal problems, they choose to change fonts like it’s a fashion statement. While you're rebranding, how about fixing the overcrowded public transport or the skyrocketing living costs? This new typeface might look pretty, but it’s just another distraction from the bigger issues plaguing our city. When will we prioritize real solutions over superficial upgrades? https://graffica.info/la-city-de-londres-actualiza-su-tipografia-urbana/ #London #UrbanDesign #SocialIssues #Priorities #PublicTransport
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La City de Londres actualiza su tipografía urbana
La City of London Corporation ha actualizado su histórica tipografía de señalización con un diseño del tipógrafo Toshi Omagari. Inspirada en la Albertus original de Berthold Wolpe, la fuente se renueva tras casi cuatro décadas como uno de los rostros
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